![]() This is continued in the love scenes between Sailor and Lula that are bathed in red, yellow and orange – all representing their burning love for each other. ![]() The first image is the striking of a match followed by images of flames announcing the color scheme that would be prevalent throughout the film. ![]() Freeman) on the trail of the young lovers.Īs he would do with the opening scene in Twin Peaks: Fire Walk With Me (1992), Lynch kicks things off with a shockingly brutal act of violence that establishes a confrontational tone – this is a violent world where Sailor is prepared to kill a man with his bare hands in order to protect the woman he loves. This doesn’t sit too well with Lula’s mom who sends her boyfriend, private investigator Johnny Farragut (Harry Dean Stanton), and, unbeknownst to him, her lover, ruthless gangster Marcellos Santos (J.E. Sailor has jumped parole after serving time for manslaughter and takes off with Lula for sunny California. Sailor Ripley (Nicolas Cage) and Lula Pace Fortune (Laura Dern) are young lovers on the run from her crazed and over-protective mother, Marietta (Diane Ladd). This film is, oddly enough, Lynch at his most romantic, a rock ‘n’ roll opera with vibrant, fiery imagery. At its core, the film is a touching love story between two people whose love for each other remains constant despite all of the obstacles that life throws at them, including an overly-protective mother, a dentally-challenged psychopath, and a grizzled rocket scientist. It also helped establish Lynch as America’s premiere cinematic surrealist. This all culminated with Wild at Heart (1990), an adaptation of Barry Gifford’s novel, which went on to win the coveted Palme d’Or at that year’s Cannes Film Festival. His television show Twin Peaks had captivated American audiences and he was directing a number of commercials and performance art pieces ( Industrial Symphony No. By 1990, David Lynch was at the peak of his popularity and enjoying the most productive period of his career. ![]()
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